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Friday, April 10, 2026

7:30 PM

Georgetown Steam Plant

6605 13th Ave S

Seattle, WA 98108

Running Time:

60 minutes, no intermission

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SOPRANOS

Ruth Schauble

Lindsey Long

Julia Baker

 

ALTOS

Sophia Nash

Teresa Clark

Lauren Kastanas
 

TENORS

Tim Blok

Michael Sederquist

Stephen O’Bent

 

BASSES

Isaiah Ragland

Jared White

Arthur Verdusco

LIGHTING DESIGNERS

Jameson Skye

Bridget Long

​Through PRSM AV

Radiance transforms the historic Georgetown Steam Plant into a "Cathedral of Industry." The program explores the plant's cavernous environment with a program of choral masterworks including the Allegri Miserere, and the shimmering, water-tuned glasses of Ešenvalds’ Stars. Also on the program is Eric Whitacre’s Leonardo Dreams of His Flying Machine, a cinematic tour de force that mimics the whirring of gears and the flutter of experimental wings—the sound of invention.​

Join us for this special program where the sounds of innovation and vocal transcendence converge in one of Seattle's most treasured historic and industrial spaces. 

 

Dress Warmly: The audience is invited to wander through the space to experience the sound from different vantage points. Please wear warm clothing and comfortable shoes for the industrial setting.

Seating: There is no fixed seating for this performance. You are encouraged to bring a camping chair if you'd like to sit at any point.

(UPDATED!) PROGRAM

MODULE I: Light. The Light of a Cathedral
Edward ELGAR: Lux aeterna (Choral arrangement of the "Nimrod" variation from the Enigma Variations)
Eric WHITACRE: Sainte-Chapelle


MODULE II: Lifegiving Water
PALESTRINA: Sicut cervus
Orlando GIBBONS (arr. Forshaw): Drop, drop, slow tears

MODULE III: As night falls, we see (hear) stars
Josef RHEINBERGER: Abendlied
Ēriks EŠENVALDS: Stars

MODULE IV: A Requiem for Industry: Ghost in the Machine
Gregorio ALLEGRI: Miserere mei, Deus

MODULE V: The Optimism of Human Invention
Orlande de LASSUS: Musica Dei donum optimi
Eric WHITACRE: Leonardo Dreams of His Flying Machine

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This project was supported, in part, by 4Culture/King County Lodging Tax
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This program is supported, in part, by a grant from the Washington State Arts Commission.
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